"Ha!" say my two older sons, "now you know how we felt when we applied." But I already know how they felt when they applied because I was
there.
My dad
sends me encouraging emails. In one he suggests I check out an open evening at
Kingston University, so I drive all the way over to Kingston University on the hottest June evening for 40 years and sit talking to an academic while wearing an inappropriately heavy dress, drenched in sweat.
As she describes
the M.A. to me in more detail, a voice in my head keeps interrupting. "You
are not good enough," the voice says. "You are a failure. You
are an idiot. You definitely cannot do an M.A." It is a voice
that has dogged me and many other women I know for years. Possibly forever. It is a voice my husband has never heard, or any one of my
sons, because it's a voice reserved for women who had children and then mislaid their career like it was a beloved old handbag at the back of the wardrobe. But then something she says gives me hope: "have you ever written
anything?"
I go home
and research the Creative Writing M.A. at Goldsmiths. I nearly went to Goldsmiths once
before but on that occasion when I turned out of the station on my way to the university to attend the interview - a skinny little kid from York, who once briefly lived in the beautiful city of Vancouver - New Cross in south east London terrified me.
Somehow I manage to complete an online application to Goldsmiths and while on holiday in the States I receive an email inviting me for interview. You cannot go to an interview, the voice says. You will not know what to say at an interview. At an interview they will discover you are a fraud and an idiot. In any case, you cannot make that date for the interview, so, phew. I reply to say I can't make that date for the interview and immediately receive another email with another date for an interview.
When I get back from the States and the second date arrives I walk up to Balham Station and from there catch a train to New Cross Gate. Upon leaving the station I turn left towards the university, exactly as I did 33 years ago, but this time something about the kebab shops and the graffiti and the inner-city smell of dog shit and exhaust fumes seems right, because now I live in Tooting.
Somehow I manage to complete an online application to Goldsmiths and while on holiday in the States I receive an email inviting me for interview. You cannot go to an interview, the voice says. You will not know what to say at an interview. At an interview they will discover you are a fraud and an idiot. In any case, you cannot make that date for the interview, so, phew. I reply to say I can't make that date for the interview and immediately receive another email with another date for an interview.
When I get back from the States and the second date arrives I walk up to Balham Station and from there catch a train to New Cross Gate. Upon leaving the station I turn left towards the university, exactly as I did 33 years ago, but this time something about the kebab shops and the graffiti and the inner-city smell of dog shit and exhaust fumes seems right, because now I live in Tooting.
I'm early. I search out where the interview is due to take place, passing students sprawled on steps in the summer sunshine, then retreat to a cafe where I find a table in the window, and there, with my feet beneath it and my elbows on it, spend a pleasant hour looking things up on my phone. I realise I must have met the woman who is to interview me at a Voice Box event at the South Bank in the early 90s.
I go to the interview and this time I'm not drenched in sweat; I'm wearing my
favourite blue dress, and when we get to the bit about why I
want to do the M.A. I say something about my sons and how the second one will soon be going to university and that I'd like to do something for myself and have to wipe away tears, again. She asks me
about reading: what books have been important to me? and my mind goes blank. This is when she discovers I'm a fraud, I think.
"Oh, you know," I say, delving around in my memory and finding the usual stuff there by Jane Austin and the Brontes, but then I hit a seam. "Madam
Bovary, Anna Karenina, Tess of the D'Urbervilles, Ruth, The
Dubliners, particularly The Dead, Atonement, Birdsong, Pat Barker's Regeneration trilogy, The L-Shaped
Room, The Bell Jar, although when I reread that recently I couldn't believe how
silly it was, novels by Margaret Forster and her biography of Elizabeth
Barrett-Browning and..." The voice in my head interrupts. You do realise, it says, that all these books are about being trapped in one way or
another, so I say this out loud.
When I get home I find an email offering me a place. Wow, I think, so perhaps the voice will be quiet now.
When I get home I find an email offering me a place. Wow, I think, so perhaps the voice will be quiet now.
Love E x
@DOESNOTDOIT
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